When Catalinbread originally set out on their quest to make the best Bass overdrive ever, they never imagined that it could also sound so amazing with guitar - but then they got to thinking about some of the classic late 60s/early 70s "Ya-Yas" era tones and thought they should take a stab at them. And heck while Catalinbread was at it, it would be really cool if it worked for the more modern drop tuned heavy stuff too. Made sense since those tones were due in large part to guitars being played through amps designed for bass, right?And what about the Bass tones? They wanted a pedal that finally let you control the amount of grind solely based on your finger attack. You know the feeling - full and rich and clean when you brush lightly and some nice wooly edge when you dig in. At the other end of the sonic spectrum they wanted a drive pedal that could deliver bone-crunching grind and still hold together without sounding thin or turning into a sludgy mess no matter how hard you hit it.So Catalinbread did a LOT of listening - listening for the dynamics, how the pedal responds to pick or finger attack. The cornerstone of those particular amps is their dynamic se